Armchair ‘Model 2254’ by Borge Mogensen
This sled chair ‘model 2254’ was designed by Borge Mogensen and produced by Fredericia in Denmark in the 1950’s. The natural oak was combined with a wicker seat and backrest. The finger joint technique that was used on the armrests, the leather straps holding the pillows and the refined rattan are an example of Mogensen’s eye for detail and craftsmanship. The seat can be put in 2 positions, more straight up or a more relaxed pose. Some damaged strings on the wicker seating and the fabric has some light staining, further in good condition as shown in the pictures.
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Dimensions:
W: 66 cm
D: 77 cm
H: 94 cm
Seating H: 32 cm
Weight: approx. 15 kilo /piece
Material:Oak, wicker, leather, fabric
Børge Mogensen was one of the big names behind the clean, functional style that put Danish design on the map. Born in 1914 in Aalborg, Denmark, Mogensen started his journey as a cabinetmaker before studying furniture design at the Danish School of Arts and Crafts and the Royal Danish Academy of Fine Arts. There, he studied under Kaare Klint, often called the father of modern Danish furniture, and picked up a deep respect for craftsmanship and practical design—principles that would shape his entire career.
Mogensen wasn’t interested in flashy furniture. He wanted to make pieces that worked—solid, honest, and beautiful in their simplicity. He believed furniture should serve people, not impress them. That’s why his designs feel so timeless today: they’re calm, confident, and built to last. He drew inspiration from everything from traditional Shaker furniture to Japanese design and rural European craftsmanship, always with the goal of making good design accessible to everyday people.
Some of his most iconic pieces reflect this philosophy perfectly. The Spanish Chair (1958), with its broad oak frame and saddle leather seat, is rustic elegance at its best—an armchair you can sink into with style. The J39 Chair (1947), affectionately known as The People’s Chair, is a no-nonsense dining chair that’s as comfortable in a farmhouse as it is in a modern apartment. Then there’s the Hunting Chair (1950), slung low with leather and wood, that looks like it belongs next to a roaring fire. And we can’t forget the Søborg Chair, which blends ergonomic comfort with clean Scandinavian lines.
During the 1940s, Mogensen led the design department at FDB Møbler, a Danish cooperative that aimed to bring well-designed, affordable furniture into regular homes—decades before “democratic design” became a buzzword. In 1950, he opened his own studio, continuing to create furniture that was both beautiful and useful, always keeping people at the center of his work.
Though he passed away in 1972, Mogensen’s legacy lives on. Many of his designs are still in production today, especially through Fredericia Furniture, and vintage collectors still hunt down his originals. His work helped define what we now think of as Danish Modern, and his emphasis on function and form has influenced generations of designers.
In short, Børge Mogensen didn’t just design furniture—he designed how people live with it. And decades later, his pieces still feel right at home.
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